My work investigates how technology shapes meaning—not just as a tool, but as a collaborator in thought and creation. Guided by the principle of concept over form, I treat each project as an experiment, a way to think through ideas rather than resolve them.

I move fluidly across internet art, 3D graphics, video, and other forms of emerging and digital media—choosing whatever format best serves the concept. Some works use creative coding to build responsive environments and installations; others reimagine hardware as interactive systems or exist as post-internet websites critiquing how technology mediates culture and perception.

Mobile devices and 3D printers extend my process, while experiments with AI have become a kind of dialogue—an evolving collaboration that reshapes how meaning emerges. I often draw from commercial production methods, blurring distinctions between the aesthetic, the industrial, and the conceptual.

Ultimately, my practice examines the entanglement between artist and technology: how each both sustains and destabilizes the other. The work reflects on our increasingly hybrid existence—where physical and virtual worlds overlap—and asks what creativity becomes when shared with the systems that define it.